Analysis Of Martin Luther King Jr.s Letter From A...

We are comfortable breaking the law when we feel it does not apply to us, that laws such as the speed limit are not real laws because everyone breaks them. In 399 BC, Socrates would have disagreed with this assertion, and died in part to keep this idea from spreading. Socrates was sentenced to death by an Athenian court, though the punishment did not fit the crimes he was accused of. We assume that any knowingly innocent person would have escaped this sentence if given the opportunity and support to do so, yet Socrates refused to and died soon after. Over 2,000 years later, Martin Luther King is also imprisoned on petty crimes and sees his actions in line with Socrates, as they were both unjustly jailed for questioning their societies. To†¦show more content†¦He hoped to maintain structure within society but wanted to break down the â€Å"false sense of superiority† (King 39) of white people. Nonviolent disobedience was an outlet to create this unavoidable and uncomf ortable tension in society by forcing those ignoring it to eventually listen. Civil disobedience is not about breaking the law, but breaking laws you cannot morally approve of or consider to be laws. It can be seen as rejecting the status quo through openly breaking an unjust law and accepting the consequences for one’s actions while having an action attached to your goal, and all the while being respectful to the society and rule of law. King’s justification for civil disobedience was through his morals in accordance with a higher power, acted out by breaking down oppressive structures that makes difference legal and distort personalities and senses of self worth (King 39), but Socrates did not have a similar distinct motive for his philosophical debates. King related, â€Å"Just as Socrates felt that it was necessary to create a tension in the mind†¦ we must see the need for nonviolent gadflies to create the kind of tension in society that will help men rise from the dark depths of prejudice†¦Ã¢â‚¬  (King 37). His parallel between t he work of theShow MoreRelatedAnalysis of Martin Luther King Jr.s Letter from Birmingham Jail962 Words   |  4 Pagesintangible, it is still necessary. Some forms of inspiration come as passionate love while others appeal as injustice. Martin Luther King Jr.s Letter from Birmingham Jail was a response to A Call for Unity by eight white clergymen. His inspiration for writing the letter was the clergymens unjust proposals and the letter allowed him to present his rebuttal. Martin Luther King Jr. effectively crafted his counter argument by first directly addressing his audience, the clergymen, and then using logosRead MoreSociological Analysis of Martin Luther King, Jr.’s Letter from a Birmingham Jail1214 Words   |  5 Pagesï » ¿ Sociological Analysis of Martin Luther King, Jr.’s Letter from a Birmingham Jail Abstract The paper analyses Martin Luther King, Jr.’s â€Å"Letter from a Birmingham Jail† from a sociological point of view and shows how three major theories (structural functionalism, social conflict, and symbolic interactionism) are treated in the letter. The paper shows different appreciation of King’s ideas and works by his contemporaries and modern people. It also explores the concepts of â€Å"nonviolentRead MoreAnalysis of Martin Luther King Jr. ´s Letter From Birmingham Jail771 Words   |  3 Pagesagainst the prejudice that they have to face, accomplish justice that every single one of them are fighting for. Dr. Martin Luther King, a leader of the protest against prejudice was able to pursue the rights for African American people. However eight of his fellow clergymen criticized his procedure to protest, but they still supported him. In the Letter from Birmingham Jail, King wanted to encourage others to rebel against the wrong, even if it is not wise it is right, he was optimistic and yetRead MoreAnalysis Of Martin Luther King Jr s Letter From Birmingham Jail986 Words   |  4 Pages and Dr. Martin Luther King Jr’s Letter from Birmingham Jail are two important pieces of history. In Lincoln’s speech he speaks about the dangers of slavery in the United States and warned everybody that people who disrespected American laws could destroy the United States. On the other hand, Martin Luther King Jr. defended the strategy of nonviolent resistance to racism, and argued that people have a moral responsibility to break unjust laws. Based on these facts, Martin Luther King Jr does notRead MoreAnalysis Of Martin Luther King Jr. s Letter From Birmingham Jail1399 Words   |  6 Pagesmade. For people who are oppressed, what they see as the greater good may be vastly different from the views of those who are unoppressed. Martin Luther King Jr. s, Letter from Birmingham Jail illustrates how a seemingly innocent attempt at gaining one s rights can be seen as controversial and wrong by others. King was put into jail because of the peaceful protests he led. To those who shared King s method of thought, nonviolence would have been the way to maximize the gains in society by allowingRead MoreAnalysis Of Martin Luther King Jr. s Letter From Birmingham Jail1794 Words   |  8 PagesMartin Luther King Jr. s 1963 Letter from Birmingham Jail, a rhetorical masterpiece, was written in response to eight clergymen’s statements condemning his nonviolent direct actions. He defends the Alabama Christian Movement for Human Rights nonviolent, direct action against individuals, institutions, and laws that look the other way while unjust racial prejudice against African Americans runs rampant in Birmingham. Using three main appeals, Ethos, Pathos, Logos, Dr. King communicates the struggleRead MoreAnalysis Of Martin Luther King Jr. s Letter From Birmingham Jail1251 Words   |  6 Pages â€Å"A just law is a man-made code t hat squares with the moral law, or the law of God. An unjust law is a code that is out of harmony with the moral law.† (3) In 1963 in this particular statement made by Martin Luther King Jr. in his Letter from Birmingham Jail, he explained how man-made (white men) laws were created to persecute the black race, and how it is his duty to fight against such laws. He was the one who articulated the progressive hope of many African Americans along with other â€Å"colored†Read MoreRhetorical Analysis Of Martin Luther King Jr s Letter From Birmingham Jail1499 Words   |  6 Pagescritically we become acquainted with these concepts therefore become better writers ourselves. While learning about rhetorical writing and composition we have analyzed Billy Collins â€Å" Commencement Address at Choate- Rosemary Hall† , Martin Luther King Jr’s â€Å"letter from Birmingham Jail† and Lloyd Bitzer’s essay on â€Å"Rhetorical Situation†. In this pa per I will analyze and make connections between the concepts of audience, genre and rhetorical situation in connection to the fore-mentioned readings. In doingRead MoreRhetorical Analysis Of Martin Luther King Jr s Letter From Birmingham Jail1831 Words   |  8 Pageseffective when all three rhetorical appeals, Logos, Pathos, and Ethos, come together to form an indisputable argument. Dr. Martin Luther King Jr and Malcolm X are two of the most influential figures of the past few decades; similarly, their work is summarized as some of the most persuasive and controversial of all time. The audience of both of their pieces, â€Å"Letter from Birmingham Jail† and â€Å"The Ballot or the Bullet† include oppressed African Americans and the white oppressors themselves. Each man takesRead MoreRhetorical Analysis Of Martin Luther King Jr. s Letter From A Birmingham Jail873 Words   |  4 PagesAfter criticism from eight Alabama clergymen for his nonviolent demonstrations, Mar tin Luther King Jr. was compelled to enlighten them on the current issues plaguing the African American community. During his confinement in a Birmingham jail, King wrote Letter from a Birmingham Jail to address most of the clergymen s concerns about his protest. In his letter, King emphasized why his actions were not unwise or untimely and explained that now was the perfect moment to act. His studies and sermons

The Role Of Information And Communication Technology

A Comparative Analysis: The role of Information and Communication Technology in Work Stress. A commonly experienced phenomenon by most people is stress, which Taylor (2014) defines as a harmful emotional experience which goes together with changes – in biochemistry, physiology, cognition and behavior – by a person to adjust to a stressful event (i.e. a stressor), or its effects. Work stress (i.e. occupational stress) is a new phenomenon – or possibly a re-purposing of an old concept – that has arisen due to the extreme, and ongoing, changes to the nature of work over the last century (Bickford, 2005). This phenomenon can be defined as the negative physical and emotional reactions that transpire when job requirements do not match the worker’s capabilities, resources, and needs (U.S. Department of Health and Human Services, 1999). In the field of work stress one focus of the research is on investigating the effects of the prevalent, and global, use of information and communication technologies in the work environment (i.e. technostress). Inf ormation and communication technology meaning any electronic device, or technology, with the ability to gather, store, or send information (Steinmueller, 2000). Interview Summary My interview was with a 23 year old female English-born New Zealand citizen. Whose highest level of education is a Bachelor’s of Science in Mathematics, since the completion of this degree she has being occupied in fulltime work. Currently she is working in partShow MoreRelatedThe Role Of Communication And Information Technology1729 Words   |  7 Pageslearning organization is especially skilled at regular problem solving and is better prepared with the power of communication and information technology to confront arising challenges in the external environment. A learning organization can be defined as â€Å"an organization that concentrates on developing and using its information and knowledge abilities in order to produce higher-valued information and knowledge, to alter behaviors and enhance outcomes†, which yields a competitive advantage (King, 2001)Read MoreThe Role Of Information And Communication Technology Essay1920 Words   |  8 PagesIt is commonly assumed that Information and Communication Technology (ICT) is currently at the core of most reforms related to the teaching and learning process in North African countries which aim to better equip the next generation with 21st century skills. The challenge of setting up second-generation educational reforms requires a myriad of time, structure, and resources. Driven by a will to enhance educational performances and embrace the digital world, the Ministry of National Education (MoE)Read MoreThe Role Of Information And Communication Technology On The Performance Of An Organization Essay1973 Words   |  8 Pageson the relationships and impact of information and communication technology on the performance of an organization using different techniques of analysis, different countries and sector as well. This chapter presents numerous studies conducted on the subject matter, methods applied, period of coverage, country in which research carried out and the outcome obtained from the study. According to Langdon and Langdon, (2006) IT including computer based information systems used by an organization andRead MoreRole of Technology and the Information Age in Contemporary Leadership Communication884 Words   |  4 Pagescharacteristics of my generation in regard to leadership and communication. I do this by using specific examples and reasons. Also evaluated is whether technology and the Information Age play a role in how leaders today communicate. The paper also investigates if there are basic communication skills that are needed and used in all generations of leadership. How age affects communication A review of literature indicates that normal communication changes in older adults (Busacco,1999).This fact coupledRead MoreAnalysis of the Article on the Role of Information Communication Technologies in the Arab Spring1171 Words   |  5 PagesAnalysis of the Article The Role of Information Communication Technologies in the Arab Spring by Ekaterina Stepanova Brief summary In this article, the author Ekaterina Stepanova mainly emphasizes on the importance of Information Communication Technologies (ICT) in the recent global event of Arab Spring. Here it has been said that how much active role the social media has played in the overall events that has led to the toppling of governments and dictatorships of the Arab world. AlthoughRead MoreDiscuss the Role of the ICT (Information Communication Technology) in Implementing the E Government in Zimbabwe1925 Words   |  8 PagesQUESTION: 1 Discuss the role of the ICT (Information Communication Technology) in implementing the E Government in Zimbabwe. INTRODUCTION Our country is experiencing a new industrial and technological revolution which is bringing about a significant, fast and extensive transformation of society and industry. The result of this revolution is that there is now a rapid increase in the processes of production and the transmission of goods and services produced. The ICT revolution is also encouragingRead MoreRoles of Information Technology in Malaysia1402 Words   |  6 PagesTitle: Roles of Information Technology in Malaysia Objective: 1. The definition of Information Technology. 2. What are the types of Information Technology. 3. Principles of Information Technology. 4. Roles of Information Technology that are applied in various fields. 5. Advantages and disadvantages of Information technologies Introduction: Information Technology is a combination of computers and communication technologies. In a more common term, Information Technology is described as anyRead MoreTechnology and Communication1006 Words   |  5 PagesCommunication technology is a necessity for human interaction. It plays an important role in acquiring and disseminating information. Regardless of time and boundary, technology helps provide information for the decision making process. Communication technology is important in the human civilization process. At the end of this topic you should be able to explain the importance of communication technology, define communication technology, explain its impact and influence, explain its influence onRead MoreThe Three Genres Of Communication958 Words   |  4 Pagesgenres of communication within the major of veterinary technology. Its purpose is to inform individuals about how these specific genres are present in this field. Methods, results, discussion and conclusions are di scussed. To research these three genres of communication several sources were required. I initiated my researching with internet searches to find more information to support why these three genres of communication are the most significant in the field of veterinary technology. IntroductionRead MoreThe Impact Of Technology On Health Management Information Systems Essay1377 Words   |  6 PagesThe Impact of Technology in Health Management Information Systems It is possible to say that the information and communication technology sector is the fastest growing sector in the global system, it plays an important role in most of our activities such as the workplace, trade, and other things in our daily and personal lives. Improving health care and maintaining health is one of the most discussed topics. Technology has played an important role in many aspects of the health care system, and provide

Lightening up Essay Example For Students

Lightening up Essay If this is, as the local press likes to describe it, the make or break year for the new South Africa, then the same must be said of the nations theatre. The Market is in transition just as the country is in transition, says Barney Simon, artistic director for two decades of the Johannesburg venue that has emerged over time as South Africas primary exporter of challenging work. Whats true for the Market is true for playhouses throughout the country. For years, the battle lines were drawn, and theatre knew its function; now, apartheid is over, and with it has vanished protest theatre. In its place are the stories that need telling of a newly democratized countrythat is, if the storytellers exist to relate the tale. To a journalist visiting the country for the first time at the start of this year, whats unexpected about South African theatre is how familiar it all seems. The Johannesburg papers trumpet ads for established British hits like Shirley Valentine and The Woman in Black, as well as farces like The Earl and the Pussycat and Uproar in the House that one can envision without seeing them. Lest these comedies suggest that the theatre is shirking its responsibility to chronicle a nation in the midst of change, they in fact seem to be precisely what critics, as well as audiences, want. Guaranteed to banish the new South Africa blues, read the Johannesburg Stars synopsis of Uproar in the House, as if to make clear that in times of uncertainty, escapism is the solution of choice. Can it be any surprise, then, that the Johannesburg premiere of Six Degrees of Separation cut short its run last fall? In a city beleaguered daily by escalating violence, no one wanted to see a play whose starting point was the arrival of a black intruder into a white home. Try explaining that John Guares play in fact concerns emotional rebirth, and youre met with a blank stare. In context, one cant blame producer Pieter Toerien, the countrys leading commercial impresario, for moving away from Six Degrees to more genteel fare like Hugh Whitemores British The Best of Friends, as safe a parlor play as the theatre offers. (And cheaper to mount with its cast of three.) Next up for Toerien is Ray Cooneys new London hit, It Runs in the Family. South Africa may barely have heard of August Wilsonand never of Tony Kushnerbut the white theatregoing public is absolutely au fait with the work of Mr. Cooney. The cultural boycott, too, has taken a toll. This is an audience uneducated in the last decade or so about international theatre; their taste, in other words, merely reflects their exposure, or lack of it. Feasting on the unfamiliar These days, even the old faithfuls dont automatically sell. Athol Fugards Playland got the best reviews of any production in Johannesburg in 1992, but averaged only 75-percent attendance throughout its run. (In Cape Town the same production was coolly received, and closed several weeks early.) William Nicholsons Shadowlands, by contrast, played to near-capacity at the Market, featuring South African emigre Brian Murray (late of A Small Family Business on Broadway) on a rare return visit home. While John Kani in Playland at Londons Donmar Warehouse may represent an English theatregoing event, in South Africa, its simply more of the same for an audience keen to feast on worlds they dont know rather than reflections of the world they do. When Barney Simon tried to bridge the world of Chilean writer Ariel Dorfmans Death and the Maiden and that of South Africa by casting black actor Ramolan Makhene as the husband, audiences fell away even more sharply; that production played to 40 percent in the Markets 152-seat Theatre Upstairs. Poor reviews did not help. .udea86b1ae1505729251484d769655863 , .udea86b1ae1505729251484d769655863 .postImageUrl , .udea86b1ae1505729251484d769655863 .centered-text-area { min-height: 80px; position: relative; } .udea86b1ae1505729251484d769655863 , .udea86b1ae1505729251484d769655863:hover , .udea86b1ae1505729251484d769655863:visited , .udea86b1ae1505729251484d769655863:active { border:0!important; } .udea86b1ae1505729251484d769655863 .clearfix:after { content: ""; display: table; clear: both; } .udea86b1ae1505729251484d769655863 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .udea86b1ae1505729251484d769655863:active , .udea86b1ae1505729251484d769655863:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .udea86b1ae1505729251484d769655863 .centered-text-area { width: 100%; position: relative ; } .udea86b1ae1505729251484d769655863 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .udea86b1ae1505729251484d769655863 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .udea86b1ae1505729251484d769655863 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .udea86b1ae1505729251484d769655863:hover .ctaButton { background-color: #34495E!important; } .udea86b1ae1505729251484d769655863 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .udea86b1ae1505729251484d769655863 .udea86b1ae1505729251484d769655863-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .udea86b1ae1505729251484d769655863:after { content: ""; display: block; clear: both; } READ: The Crucible Essay PaperThe situation, then, somewhat echoes that of a much smaller trouble spot, Northern Ireland, where plays by local writers Ron Hutchinson and Anne Devlin rarely make the impact they do in London (or Off Broadway). The relatively recent introduction in 1975 of television to South Africa has further diluted a once considerable theatregoing culture, at least among the white minority. And after apartheid and its attendant states of emergency were lifted, South African theatre no longer needed to serve a journalistic, informative function. People could get their news from TV and the newspapers; they didnt have to turn to Bopha!, Sophiatown or Asinamali to find out what was happening. What, then, could a theatregoer keen to avoid downmarket British farce take in on a recent visit? The remaining options comprised a varied lot, linkedif at allby a bizarre obsession with Elvis Presley, of all people. In Cape Town, theatrical activity has moved away from the once-enterprising Baxter (home during my trip to The Rocky Horror Show) and the historic Space (now closed) to the Dock Road Theatre, a thrust 204-seater in the American-style Waterfront complex, located by the harbor. My first Dock Road outing was The Return of Elvis Du Pisanie, a solo show written by, and starring, local phenomenon Paul Slabolepszy. Now 44, the Britain-born Slabolepszy was taken to South Africa at age three, and has since developed a following as one of the few serious rivals to Fugard. Cape Town to Motown While a later play of his in Johannesburg would support that assertion, Elvis du Pisanie made it seem risible at best. These musings of a gum-chewing Afrikanerthe Elvis of the title, so-called because he had won third prize in a Presley lookalike competitionwere maudlin, self-aggrandizing and offensive in turn. The standing ovation notwithstanding, several audience members gathered in disbelief in the lobby afterwards to ponder the reviews, clucking their disapproval in ways to suggest that an American visitor was not alone in his assessment. The second Dock Road offeringDavis Kramer and Tallep Petersens hit musical Fairyland, since transplanted to the Marketwas marginally better, but no less sociologically intriguing. A follow-up to District Six, the widely traveled musical about the 250-acre Cape Town homeland razed under the Group Areas Action in the mid-60s, Fairyland could be regarded as Cape Towns own indigenous Five Guys Named Moe. Whereas one might expect at least a flash of anger as the talented cast makes its way through a song cycle of jazz, rock andyesElvis, this show was completely without irony about its desire to take Cape Town to Motown. While the first act at least established a community of smoothies, floozies and hustlers, the second act degenerated into a would-be tourist board-promotion, complete with a plug for the cast album and a curtain-call exhortation to tell the whole world we love you. The people the show is about may figure among apartheids more grotesque victimsa community that was literally bulldozedbut no historical event is so iniquitous that the Platters cant put it right, or so the evening implies. The audience, which kept Fairyland running in Cape Town for an amazing two years, responded with another standing ovation. Illuminating the way for change Black theatre takes place mostly in Johannesburg, since that city has a much larger black African populace than the predominantly Cape-colored Cape Town. While Gibson Kente remains the doyen of township theatre, Mbongeni Ngema is its leading internationalist, and he was in rehearsal at Johannesburgs Civic Theater for his most ambitious project yet: an expensive (3 million rand, or about $1 million) boxing musical called Magic at 4 A.M. starring Leleti Khumalo from Sarafina. While the show doesnt open until April, an initial listen to the score bodes well, even if the lyricsthe dream can come true if we make it happeninevitably seem naive set against Ngemas scintillating hybrid of rhythm and blues, gospel and township mbaqanga music. The work of a second black writer/director Matsemola Manakais equally earnest, if a bit more dogged, at least if his shows Yamina (among the first black African plays about AIDS) and Ekhaya: Museum over Soweto (about a museum opening in Soweto) are apt in dications. .u084978f694be9045716754bdebc73205 , .u084978f694be9045716754bdebc73205 .postImageUrl , .u084978f694be9045716754bdebc73205 .centered-text-area { min-height: 80px; position: relative; } .u084978f694be9045716754bdebc73205 , .u084978f694be9045716754bdebc73205:hover , .u084978f694be9045716754bdebc73205:visited , .u084978f694be9045716754bdebc73205:active { border:0!important; } .u084978f694be9045716754bdebc73205 .clearfix:after { content: ""; display: table; clear: both; } .u084978f694be9045716754bdebc73205 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u084978f694be9045716754bdebc73205:active , .u084978f694be9045716754bdebc73205:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u084978f694be9045716754bdebc73205 .centered-text-area { width: 100%; position: relative ; } .u084978f694be9045716754bdebc73205 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u084978f694be9045716754bdebc73205 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u084978f694be9045716754bdebc73205 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u084978f694be9045716754bdebc73205:hover .ctaButton { background-color: #34495E!important; } .u084978f694be9045716754bdebc73205 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u084978f694be9045716754bdebc73205 .u084978f694be9045716754bdebc73205-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u084978f694be9045716754bdebc73205:after { content: ""; display: block; clear: both; } READ: Sammy's actor EssayBoth Manaka and Ngema deserve added attention for the very sites of their newest shows. By opening Magic at 4 A.M. at the 1,100-seat Civic, Ngema and his producer ex-Market resident producer Mannie Manimare counting on a high level of black attendance in a traditionally white venue. (A Chorus Line, a Civic premiere last fall, did less-than-capacity business there, apparently because audiences were loath to see what they deemed to be a rehearsal.) Both Marakas shows were playing at different auditoria of South Africas four performing arts councils, onetime apartheid dinosaurs (according to detractors) attempting to adapt to the new climate. If the offstage scenario at the theatre sometimes reveals more than the one onstage, at least one new play Slabolepszys Mooi Street Moves, the authors 15th play offered hope in ways that went beyond the fully integrated Market Theater Upstairs audience. Set in Johannesburgs increasingly black Hillbrow section, the play brings together a black street hawker named Sipho (played by a dazzling young actor named Seputla Dan Sebogodi) and an itinerant white, Henry (Martin Le Maitre), in search of his brother. An initial encounter in Siphos apartment turns into a three-and-a-half week flatshare amounting, among other things, to a kind of Pygmalion in reverse, as Henry learns Siphos canny, streetwise ways. The evening ends cruelly, indeed tragically, and yet the authors abiding metaphor the sun allows for the possibility of redemption. While some in this transitional South Africa are fully preparing themselves for darkness, Slabolepszys wise and moving play makes clear that shared empathy and compassion may in fact illuminate the way for change. Listening to a shaken audience cheer the performance, one readily agreed. South Africas theatre, like the country around it, may by its own admission be groping in the dark, but Mooi Street Moves suggests that the end of the tunnel may as Nelson Mandela promised three years ago soon let in long-overdue light.